Akron/Family
Akron/Family bring their travelling circus to Orlando. They say “Love is Simple” but on this night, as S D Green found, their music proved anythying but.
Akron/Family bring their travelling circus to Orlando. They say “Love is Simple” but on this night, as S D Green found, their music proved anythying but.
Will’s Pub may have closed, but Sam Rivers’ monthly jazz workshop finds new life at the Plaza Theatre. S D Green finally figures out who put the bop in the bop-she-bop-she-bop.
Perry Farrell’s Satellite Party may not have brought in the crowds his previous bands would have guaranteed, but the old material mixed with Farrell’s Iggy Pop-like energy was enough to satisfy the fans that did make it down to the House of Blues Orlando, Jen Cray was amontst them.
Sean Kagalis may not be a name you recognize, but he’s been touring the country and playing coffeehouses for well over a decade. When he returned home to Central Florida, Jen Cray was first in line to welcome him back.
They haven’t put out an album of new music in 8 years, and you probably haven’t thought of them in as long, but The Rentals are back with not just a new album but with a tour to back it up. Jen Cray caught the show in Orlando.
The first ever Volcom Tour brought co-headliners Riverboat Gamblers and Valient Thorr to Orlando, along with label mates Totimoshi and ASG. This was exactly the kind of show Jen Cray had been waiting for.
Noone thought that Ben Kweller had enough fans in Orlando to sell out The Social, but sell it out he did. It was a good thing Jen Cray got there early to catch the action.
The blues-soaked, funk-sprinkled, new progressive sounds of Alaska’s Portugal The Man made an evening of mediocre bands worth it for Jen Cray.
It’s 300 degrees in the shade, the Orlando streets are teeming with teenagers, and Jen Cray was about to throw down $6 for a Bud Light. This can only mean one thing: it’s time for another Warped Tour.
For his first show in Central Florida in 15 years, Morrissey proved that not since Elvis has a musician been capable of inciting a near riot by a twist of his lip and the tossing of his shirt. Jen Cray was happily amongst the swooning masses.
In a celebration of all things shiny and happy, Erasure brought their circus of glitter to Orlando’s Hard Rock Live, and Jen Cray was there for the party.
Not rain, nor the humid Florida summer night air could keep Jen Cray away from checking out former D Generation vocalist Jesse Malin’s show as part of the Death & Taxes tour.
Black Rebel Motorcycle Club have yet to push the bounds of their bluesy garage rock to the highs that they seem capable of, but this didn’t stop Jen Cray from drinking herself into a stupor and enjoying the dirty rock.
Stars of Track & Field may have been merely the opening band, but for Jen Cray the night belonged to the Portland trio.
Tool is well known for being one of the most innovative, abstract metal bands of the last 20 years. What many people don’t realize is how protective the band is of every aspect of their career, including their image. After being told again and again that she would never get approved, Jen Cray was shocked to be allowed inside the band’s Orlando show with her camera.
Dimmu Borgir may have been the draw that brought in the crowd, but the night was stolen by openers Kataklysm and Unearth, according to Jen Cray.
Totimoshi may have been playing to a crowd that could have fit into Jen Cray’s living room, but that did nothing to dim their spirits or the quality of their performance.
When the worlds of metal, punk, indie and rock collide, a boldly-billed package tour is born. Cursive and These Arms Are Snakes joined co-headliners Mastodon and Against Me! on one of the most diversified travelling circuses Jen Cray is bound to see this year.
A large percentage of America may not know it yet, but the Arctic Monkeys have already conquered their native England and are setting their sights on our shores. Jen Cray was not surprised that the band’s Orlando date was a complete sell out.
It’s another night of horrifically catchy emocentric pop music with Say Anything and Saves The Day. Jen Cray tries to reconcile her mistrust of all things emo with the undeniably catchy hooks of these popular bands.
John Badham’s 1983 future-tech helicopter thriller, Blue Thunder, with its cautionary tale of militarized police and a surveillance state, still resonates decades later.
What if the miracle of sight came with a curse? The Eye builds its horror from that chilling premise.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.