Joe Taylor
Anything’s Possible Review by Michelle Wilson.
Anything’s Possible Review by Michelle Wilson.
Almanac (Captured Tracks). Review by Eric J. Iannelli.
Rock legend Lindsey Buckingham delivers the goods in front of a sold-out crowd that includes Christopher Long at Orlando’s premier concert venue.
Best Coast sells out The Social, but Jessica Whittington and one of the Bethanys squeeze in, stick thier hearts on their sleeves, and resist calling their exes.
Seeds We Sow (Mind Kit Records). Review by Sean Slone.
Jen Cray and a horde of bodies mosh to Frank Turner’s odes to life, love, and music at his headlining Orlando show – finally.
A behind-the-scenes look at the making of Tom Petty and the Heartbreaker’s landmark 1979 smash record.
We Walk this Road (Warner Brothers). Review by Christopher Long.
Let’s Build A Roof (K-Records). Review by Carl F Gauze.
Have Guitar, Will Travel (Roman Records). Review by Christopher Long.
Aerosmith’s legendary co-founder, Joe Perry , delivered a set of gutsy, hard driving rock at Orlando’s House of Blues.
Too young to be fully cognizant of the more embarrassing excesses of Gothic music over the past twenty years, the young Turks of NYC’s own Blacklist are, perhaps unwittingly, the best hope of redeeming Goth-metal. Fresh from a European tour complete with horned hotel antics, Blacklist frontman and provocateur Josh Strawn told Ink 19 all about how he learned to stop worrying and love Motorhead and Scott Walker equally.
Infinite Light (JagJaguwar). Review by Matthew Moyer.
Gavin Rossdale may be a musical shapeshifter (Bush, Institute, solo), but he never fails to entertain a crowd. At his recent Orlando show, Jen Cray was bowled over by Mr. Gwen Stefani, and swept away completely by opening band Nico Vega.
Rob Levy braves the danger and mayhem of one of the UK’s most legendary punk bands to interview Captain Sensible , guitarist and longtime member of The Damned , about a variety of topics including the new album So Who’s Paranoid?
Mazes (Parasol). Review by Aaron Shaul.
Pacific Ocean Blue (Sony/Capitol/Legacy). Review by Matthew Moyer.
Colin Meloy Sings Live! (Kill Rock Stars). Review by Aaron Shaul.
With material co-credited to Paul McCartney, Jean-Philip Grobler’s Kites has caught the attention of music industry luminaries. However, he’s intent to make music his way, in his own time, resulting in his current EP You and I in the Kaleidoscope. Three years to make an EP? Grobler talks about that misconception, and promises his next shot of arena rock won’t take so long, but warns it might include a full orchestra in St. Paul’s Cathedral. S D Green tries to harmonize with the former South African choirboy.
Catherine Avenue (Love Minus Zero Recordings). Review by Matthew Moyer.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.