Chapin Sisters Two (Lake Bottom). Review by Matthew Moyer.

Pumice’s Stefan Neville talks with Aaron Shaul about his unique fusion of catchy pop and guttural noise, the pains of self-releasing music, and his exponentially growing discography.

The Horse Power EP (Quite Scientific Records). Review by Carl F Gauze.

Impressionistic Michigan documentarians Frontier Ruckus make time in their infinite tour schedule to help Aaron Shaul better understand the opaque beauty of their newest album Deadmalls & Nightfalls.

Tin Can Trust (Shout! Factory). Review by Carl F Gauze.

No Ghost (Bella Union). Review by Jeff Schweers.

In Person and on Stage / Broken Hearts and Dirty Windows (Oh Boy Records). Review by Carl F Gauze.

Tim Footman’s biography describes the sexual, intellectual, depressing romantic that is Leonard Cohen, leaving Jessica Whittington no choice but to put a little whipped cream on it and eat every word with a spoon.

Please Don’t Tell Me How the Story Ends (Light in the Attic). Review by Carl F Gauze.

True Love Cast Out All Evil (Epitaph). Review by Carl F Gauze.

Is Passed in Sleep; At Night He Hunts (Jumberlack Media). Review by Nora Richardson.

Garrison Keillor’s “A Prairie Home Companion” is cinecast in HD to theaters across North America, and Carl F Gauze witnesses radio on the big screen.

There’s only one man whose swagger can quiet a crowd of 600,000 people on the cusp of rioting. His name is Leonard Cohen , and once again the poet/musician surfaces from images of the past.

A Stranger Here (Anti, Inc.). Review by Carl F Gauze.

Ask The Night (Saddle Creek). Review by Matthew Moyer.

Overloaded Ark (Drag City). Review by Aaron Shaul.

The Wyrd Meme (Drag City). Review by Aaron Shaul.

Burn Up & Shine (Frankly Mills Record). Review by Carl F Gauze.

Spoils (Drag City). Review by Aaron Shaul.