Thee Missouri
In Voodoorama (Blue Disguise). Review by Aaron Shaul.
In Voodoorama (Blue Disguise). Review by Aaron Shaul.
Prettier in the Dark (Fractured Discs). Review by Aaron Shaul.
Daniel Mitchell fights the nervous jitters as he speaks to cultural icon Lydia Lunch…
Beyond the Horizon Line (Silber). Review by Stein Haukland.
Head (Forever Records). Review by Daniel Mitchell.
post-punk,gothic,Eleven Eleven,Head,Forever Records,Daniel Mitchell
goth,gothic,country,alt. country,singer songwriter,Eszter Balint,Mud,Bar/None,Aaron Shaul
Mud (Bar/None). Review by Aaron Shaul.
The Garbageman and the Prostitute (GSL). Review by Daniel Mitchell.
Razorblade Romance (Universal). Review by Daniel Mitchell.
Razorblade Romance (Universal). Review by Daniel Mitchell.
The Garbageman and the Prostitute (GSL). Review by Daniel Mitchell.
Frustration Plantation (Instinct). Review by Daniel Mitchell.
Frustration Plantation (Instinct). Review by Daniel Mitchell.
Stand With the Stillness of This Day (Constellation). Review by Aaron Shaul.
Hold On Love (Saddle Creek). Review by Aaron Shaul.
The Cure perform their three darkest albums for the people of Germany on this 2 DVD set, and longtime fan Daniel Mitchell gives us perspective.
Blow Up Hollywood (self-released). Review by Daniel Mitchell.
Peter Murphy discusses Dust – his new East-meets-West CD – as well as David Bowie and the true meaning of “Gothic” in a surprisingly candid chat with Steve Stav.
In the Halls of Waiting (Candlelight). Review by Daniel Mitchell.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.