Move It On Over (Rounder Records). Review by Carl F Gauze.

Cannery Row (Bloodshot Records). Review by James Mann.

Living by the Days (Real Gone Music). Review by James Mann.

Sunshine Boy: The Unheard Studio Sessions & Demos 1971-1972 (Omnivore Recordings). Review by James Mann.

The Bloody Angle. Review by Carl F Gauze.

Your daddy’s Country music ran away screaming tonight, and even Carl F Gauze cashed his chips in early once Hank 3 wrapped up his hellbilly set and started in on his ear-drum-challenging metal second act.

Keep This Love Goin’ (Clang! / Big Notes). Review by Carl F Gauze.

Andrew Shaylor immersed himself in the wild, raw rockabilly subculture until he emerged with this exhaustive photographic record.

The Monument Singles Collection (Legacy Recordings). Review by Carl F Gauze.

The Complete Mother’s Best Recordings (Time Life). Review by James Mann.

Prepare for Black & Blue (Ruffshod Records / Nettwerk). Review by Al Pergande.

Few things are as Rock ‘n’ Roll as 30-year punk rock veterans Social Distortion, as Jen Cray and a sold-out crowd at Orlando’s House of Blues recently witnessed.

A Little Give and Take (Civilian Art Projects). Review by Matthew Moyer.

Tim Footman’s biography describes the sexual, intellectual, depressing romantic that is Leonard Cohen, leaving Jessica Whittington no choice but to put a little whipped cream on it and eat every word with a spoon.

Dolly (Sony Legacy). Review by Matthew Moyer.

Modern Sounds in Country and Western Music. (Concord Records). Review by Carl F Gauze.

A Picture of Me - Nothing Ever Hurt Me (American Beat Records). Review by Matthew Moyer.

Homage Au Passé (Lionsgate). Review by Carl F Gauze.

Weary Things (City Salvage). Review by Carl F Gauze.

Light Poles and Pines (Seany). Review by Carl F Gauze.