Begone, foul year
Let’s leave 2020 in our rearview, shall we?
Let’s leave 2020 in our rearview, shall we?
Goddess (Modular Fields). Review by Carl F Gauze.
Compass (Nonplace). Review by Carl F Gauze.
It was a night of metal and moshing in the sold-out House of Blues, with Motörhead and Anthrax in town. Carl F Gauze elbowed his way through the madness.
Heaven’s End/ Fade Out/ The World In Your Eyes/ A Gilded Eternity (Reactor/Revolver). Review by Matthew Moyer.
Rosenkopf (Wierd). Review by Matthew Moyer.
Coconut (Domino). Review by Carl F Gauze.
Hawkwind Triad (Neurot). Review by Matthew Moyer.
Dead EP (Thrill Jockey Records). Review by Carl F Gauze.
Spirited Migration (At A Loss Recordings). Review by Matthew Moyer.
Plastic Crimewave Sound (Prophase Music). Review by Carl F Gauze.
Inferno (Sanctuary Records). Review by Matthew Moyer.
Tomorrow Waits (Cur on a Glider). Review by James Mann.
New Geocentric World (Squealer). Review by Matthew Moyer.
“I was fired from every band I was in before, so the only way I can think of to not get fired was form my own band.” So says Lemmy Kilmister of the legndary Motšrhead, as he talked 25 years of rock n’ roll with Matt Thompson.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.