SCRAPS: (very) old and (almost) new solo guitar pieces. Review by Bob Pomeroy.

More Touch (Pyroclastic Records). Review by Bob Pomeroy.

Séances (Pyroclastic Records). Review by Bob Pomeroy.

Off Kilter (See Tao). Review by Bob Pomeroy.

Pathways (ABG Records). Review by Bob Pomeroy.

Beyond (Libra Records). Review by Bob Pomeroy.

Path of Seven Colors (Pyroclastic Records). Review by Bob Pomeroy.

Garrison Fewell explores the meaning of spirituality and jazz improvisation in 25 conversations with modern jazz greats.

Turn It Up (Chicken Coup Records). Review by Carl F Gauze.

Idiosyncratic and in relentless pursuit of perfection, Sonny Rollins cut a swath through jazz music that has yet to fade out. Scott Adams examines this documentary of his musical achievements.

L’Ocelle Mare (Sickroom). Review by Aaron Shaul.

David Thomas Broughton vs. 7 Hertz (Acuarela). Review by Aaron Shaul.

A True Conductor Wears a Man (Token Boy). Review by Aaron Shaul.

Overture: Live in Nippon Yusen Soko 2006 (Drag City). Review by Aaron Shaul.

Medicina (Atavistic). Review by Bob Pomeroy.

Nature’s Assembly Line (Orange Twin). Review by Aaron Shaul.

Bones (Preservation). Review by Aaron Shaul.

Play the Immutable Truth (Acuarela). Review by Aaron Shaul.

Live at the Quick (Columbia). Review by Eric J. Iannelli.

From his teen days in Squirrel Bait through stints with Slint and Gastr Del Sol and on to his solo work for Drag City, David Grubbs has long been an innovator in music. Nirav Soni spoke with Grubbs about improvisation, collaborations, Indian music, and the Beach Boys.