Kyle T Hurley
“Ode to Irish John” (Spiritual Records). An Ink 19 Music Premiere by Randy Radic.
“Ode to Irish John” (Spiritual Records). An Ink 19 Music Premiere by Randy Radic.
Straight Line Was a Lie (ANTI). Review by Randy Radic.
Superfan Alexandros Anesiadis writes the encyclopedia of post-hardcore, melodic punk from around the world, We Can Be The New Wind. Bob Pomeroy reviews.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
Oslo Park (Kanine Records). Review by Bob Pomeroy.
Automatic Writing Machine. Review by Scott Adams.
Invitation (Kill Rock Stars). Review by Bob Pomeroy.
Swallow The Anchor. Review by Carl F Gauze.
Space aliens attempt to invade earth but are distracted by the local music scene.
Hope (Cardboard Empire Records). Review by Carl F Gauze.
Shine on Forever (Visiting Hours). Review by Carl F Gauze.
Lisbon (Bella Union). Review by Jeff Schweers.
The history of teeny, tiny labels that launched some really big bands. Before the out-crowd became the in-crowd.
Chronosynclastic (Velvet Blue Music). Review by Carl F Gauze.
Chateau Revenge! (Cheap Lullaby). Review by Jeff Schweers.
Saint Bartlett (Secretly Canadian). Review by Carl F Gauze.
Tapestry of Webs (Suicide Squeeze). Review by Carl F Gauze.
My Neighbor/My Creator (Merge Records). Review by Jeff Schweers.
No Hope No Future (Brille Records). Review by Carl F Gauze.
Beast Rest Forth Mouth (Hometapes). Review by Carl F Gauze.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.