The Mary Onettes
Islands (Labrador Records). Review by Matthew Moyer.
Islands (Labrador Records). Review by Matthew Moyer.
Scott Adams finds this compelling history of Merge Records, the underdog label that beat the odds and succeeded, to be insanely readable.
Oh, Glory. Oh, Wilderness (Bakery Outlet Records). Review by Carl F Gauze.
Introducing (Slumberland). Review by Matthew Moyer.
Homemade Ship (K Records). Review by Matthew Moyer.
Chub EP (Cedar Fever Records). Review by Eric J. Iannelli.
Hurrication EP (Olympic). Review by Carl F Gauze.
Rejoicer (Death By Audio). Review by Carl F Gauze.
I Can Wonder What You Did With Your Day (Jagjaguwar). Review by Matthew Moyer.
On The Sleeve (New Granada). Review by Carl F Gauze.
The Guilty Office (Hidden Agenda). Review by Aaron Shaul.
The Hazards of Love (Capitol). Review by Matt Parish.
Doubleplusgood (Matinee). Review by Aaron Shaul.
Heartbreaker (Lujo). Review by Carl F Gauze.
You might still love Liz Prince after reading her autobiographical comic, but if it’s maturity you’re after, you’re in this relationship for the long haul.
Hymns I Remember (Sleepy). Review by Aaron Shaul.
The Asheville Squints (Quite Scientific). Review by Aaron Shaul.
Songs To Forget (Exit Stencil Recordings). Review by Carl F Gauze.
Words of Surrender (Lorelei Records). Review by Carl F Gauze.
Susan’s in the Sky EP (Matinee). Review by Aaron Shaul.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.