Woven Bones
In and Out and Back Again (HoZac). Review by Matthew Moyer.
In and Out and Back Again (HoZac). Review by Matthew Moyer.
Death To God (Noise On Noise). Review by Matthew Moyer.
Because Because Because (Pound You Into the Ground Records). Review by Robert Sutton.
Black Tambourine (Slumberland). Review by Matthew Moyer.
Escape (Woodsist). Review by Matthew Moyer.
Two Sunsets (Domino). Review by Matthew Moyer.
Through the Devil Softly (Nettwerk). Review by Matthew Moyer.
Exploding Head (Mute). Review by Matthew Moyer.
Magic Love and Dreams. Review by Matthew Moyer.
Himalaya. Review by Matthew Moyer.
Summer of Hate (Fat Possum). Review by Matthew Moyer.
Wavvves (Fat Possum). Review by Matthew Moyer.
Two similar and familiar bands collided as The Faint and Ladytron shared a co-headlining bill that included a pair of sold-out stops in New York City. With more black attire and keyboards than one could count, the two acts offered career-spanning setlists filled with their distinctive synth-pop, post-punk and new-wave sounds. Kiran Aditham witnessed night two of the dark, dancefloor delights for himself.
Doubleplusgood (Matinee). Review by Aaron Shaul.
Heartbreaker (Lujo). Review by Carl F Gauze.
Scottish rockers Glasvegas rode into New York City on a wave of hype for two sold-out shows. With only one proper album to flaunt, the band nevertheless proved to Kiran Aditham that they can bring arena-sized sound to a mid-sized theater.
Steal My Horses and Run (Tee Pee). Review by Aaron Shaul.
Vivian Girls (In The Red). Review by Matthew Moyer.
Alight of Night (Slumberland). Review by Matthew Moyer.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.