Cursive
Devourer (Run For Cover Records). Review by Peter Lindblad.
Devourer (Run For Cover Records). Review by Peter Lindblad.
iii (Flemish Eye). Review by Scott Adams.
Human Impact (Ipecac Recordings). Review by Scott Adams.
Pioneering ’90s emo band Rye Coalition were close enough to stardom to taste it. So what happened?
Oddfellows (Ipecac). Review by Jason O’Neal Griggs.
The Horror (Sacred Bones). Review by Matthew Moyer.
Matthew Moyer declares this the best approximation of the Jesus Lizard live experience.
Reissues! (Merge). Review by Scott Adams.
Your Future Our Clutter (Domino). Review by Matthew Moyer.
Skin, spit, and sweat were on board for a recent These Arms Are Snakes show that Jen Cray soaked up in Orlando.
The Harlequin EP (Highwheel). Review by Matthew Moyer.
Kill Twee Pop! (Slumberland). Review by Aaron Shaul.
Fake Fake (Modern Radio Records). Review by Matthew Moyer.
Pop-collagist/Party-Starter Girl Talk (a.k.a. Gregg Gillis ) talks to Omar de la Rosa about sampling, doing remixes versus Girl Talk originals, the like-minded performance stylings of tourmate Dan Deacon, and Gregg’s favorite mixed drink.
Soft Skeletons (Frenchkiss Records). Review by Matthew Moyer.
In the Dirt (Wantage USA). Review by Aaron Shaul.
We Are All Sluts of Trust (Chemikal Underground). Review by Matthew Moyer.
My Favorite Record (Spanks-a-Lot / Bloodshot). Review by Ian Koss.
The Best of Pigface (Invisible Records). Review by James Mann.
Bring On the Snakes (Warm). Review by Matthew Moyer.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.