Piqued (Independent Project Records). Review by Peter Lindblad.

Faces to Hide (Independent Project Records). Review by Peter Lindblad.

Audrey Golden gives voice to the women who labored behind the scenes at Factory Records to make the magic happen.

Founding member of The Cure Lol Tolhurst takes readers on a very personal tour of the people, places, and events that made goth an enduring movement and vital subculture, in GOTH: A History. Bob Pomeroy reviews.

Tomorrow Never Comes (Epitaph). Review by Steven Cruse.

Games of Power (La Vida Es Un Mus Discos). Review by Steven Cruse.

Singer and guitarist Amythyst Kiah makes new fans at the intimate Jaeb Theater in Tampa. Review by Bob Pomeroy.

It’s a perfect time to bring Sound Salvation to a wider audience via the Internet, albeit in a different form.

Quântico.(Discmidia Music) Review by Stacey Zering.

Human Impact (Ipecac Recordings). Review by Scott Adams.

Complete Studio Recordings, Inmates in Images (Dais Records). Review by Scott Adams.

Thursday may have topped the bill, but it was opening band Wax Idols that had Jen Cray mesmerized at Orlando’s House of Blues.

Collision with Joy Division (Lolipop Records). Review by Carl F Gauze.

Fracture. Repair. Repeat. (Metropolis). Review by Carl F Gauze.

Playing Favorites (Omnivore Recordings). Review by Michelle Wilson.

Outside (Independent). Review by Michelle Wilson.

The Post Romantic Empire Album (Our Sweetest Songs). Review by Carl F Gazue.

LP (Susstones). Review by Carl F Gauze.

The Horror (Sacred Bones). Review by Matthew Moyer.