Shadance Hall (Dekmantel Records). Review by Bob Pomeroy.

Best Of (Monika Enterprises). Review by Carl F Gauze.

Beide EP (Monika Enterprise). Review by Carl F Gauze.

Hauntologists Review by Carl F Gauze

The Lost Tapes (Spoon/Mute). Review by James Mann.

Made In Germany 1995-2011 (Universal). Review by Carl F Gauze.

Crazy Clown Time (Sunday Best Recordings/PIAS America). Review by James Mann.

Seconds Late for the Brighton Line (ROIR). Review by Robert Sutton.

When the Chorus Walks (Expel Records). Review by James Mann.

Finsternis (Public Guilt). Review by Matthew Moyer.

Fans of cutting-edge electronic music most likely have Michael Rother to thank. Rother was one of the prime movers in a German music scene, dubbed krautrock, that still sets the standard for exciting, weird, and groovy music. Ink 19 had the pleasure of chatting with Rother, who seems as comfortable with creating new music as he is with being a careful archivist of the music and legacy of his previous bands.

Tracks and Traces (Gronland/High Wire). Review by Matthew Moyer.

Primary Colours (Beggars/XL Records). Review by Matthew Moyer.

Anthology (Mute Records). Review by Matthew Moyer.

That’s a Nice Hat (MP3.com). Review by James Mann.

Tomorrow Waits (Cur on a Glider). Review by James Mann.