Lunch With Beardo
Surrealistic Picnic (FDH Records). Review by James Mann.
Surrealistic Picnic (FDH Records). Review by James Mann.
Straight from a music school in Brighton to the top of the charts in England, The Kooks are the United Kingdom’s answer to The Strokes. Jen Cray spoke with their charming frontman Luke Pritchard about making it in the States.
Stealing Kisses. Review by Carl F Gauze.
Long Drive To Iceland (self-released). Review by Carl F Gauze.
Head Over Heels (EJH Productions). Review by Kyrby Raine.
Trampin’ (Columbia Records). Review by Al Pergande.
The American In Me (DBK Works). Review by Carl F Gauze.
Live in Aught-Three (Compadre). Review by Sean Slone.
James McMurtry and the Heartless Bastards,Live in Aught-Three,Compadre,Sean Slone
Archives (Lucid). Review by Carl F Gauze.
dark,moody,noise,depressing,The Firebird Suite/Project/Band,Archives,Lucid Records,Carl F Gauze
The Sea And The Rhythm (Sub Pop). Review by Matthew Moyer.
Static Transmission (DBK Works). Review by Sean Slone.
A.R.E. Weapons (Rough Trade). Review by Matthew Moyer.
Slideling (Cooking Vinyl/spinART). Review by Sean Slone.
Days Come Easy (self-released). Review by Gail Worley.
A Lot to Forget (Slovenly). Review by Stein Haukland.
Cyanide (Self Released). Review by Gail Worley.
The Raven (Warner Brothers). Review by James Mann.
The Murky World of Seats (Bella Union). Review by Terry Eagan.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.