He’s produced everyone from Herbie Hancock to Soundgarden. Michael Beinhorn tells about the art of music production.

Are You One Of Jay’s Kids?: The Complete Bizarre Sessions 1991-1994 (Manifesto Records). Review by Bob Pomeroy.

John 5 and the Creatures give a class in Guitar God 101 at the Social.

Raw video documentation of the Plasmatics evolution from buzzy punk band at CBGB’s to pyrotechnic madness at Bond’s Casino.

With Us (Surfdog). Review by Jen Cray.

Blackheart Revolution (G-Force/MVD Entertainment). Review by Jen Cray.

Dirty King (Silver Label). Review by Jen Cray.

Thanks to a Dark Night of freelance unemployment that brought her Weezer, Gail Worley brings Ink 19 an interview with Pat Wilson , who totally rocks.

Marilyn Manson kicked off their U.S. leg of the Rape of the World Tour in front of a sold out crowd at Orlando’s Hard Rock Live. Jen Cray was in the middle of the madness.

Tohuvabohu (Metropolis). Review by Jorge C. Galban.

Mindfreak - Official Soundtrack (Koch Records). Review by Joe Frietze.

For their first headlining American tour, Japan’s Dir En Grey have brought along Fair To Midland and Bleed The Dream to further challenge young audiences with new hybrids of Metal. Jen Cray caught show #2 at Orlando’s House of Blues.

Fair To Midland are blessed, and cursed, with the title “the first band to be signed to Serj Tankian’s label.” Jen Cray sat down with vocalist Darroh Sudderth and keyboardist Matt Langley outside of Orlando’s House of Blues just before the second night of their first ever major tour.

Educated Horses (Geffen). Review by Joe Frietze.

Rob Zombie brings his skulls, clown heads, and robots to Orlando for a sold-out spectacle for the lucky 2,000 who were able to get tickets. And Jen Cray was one of two people who got to take photographs.

Dirty Diamonds (New West Records). Review by Carl F Gauze.

WWIII Live 2003 (Sanctuary). Review by Jen Cray.

House of Secrets (Capitol Records). Review by Carl F Gauze.

XIII (Universal Records). Review by Daniel Mitchell.

XIII (Universal Records). Review by Daniel Mitchell.