Disgorge
Forensick (Deathvomit). Review by Matthew Moyer.
Forensick (Deathvomit). Review by Matthew Moyer.
Elusive Truth (Tolotta). Review by Matthew Moyer.
The Dream Belongs To Me: Unreleased Recordings ‘68-‘73 (Manifesto). Review by Matthew Moyer.
Closure (Victory). Review by Matthew Moyer.
Bring On the Snakes (Warm). Review by Matthew Moyer.
The Kingdom of Glacial Palaces (World War III). Review by Matthew Moyer.
Angel in the Dark (Rounder). Review by Matthew Moyer.
A.M. G.O.D. (Century Media). Review by Matthew Moyer.
Suture (Invisible). Review by Matthew Moyer.
Hello (Alternative Tentacles). Review by Matthew Moyer.
Ugliness Revealed (Necropolis/Baphomet). Review by Matthew Moyer.
Various Artists (Concrete/V2). Review by Matthew Moyer.
The Woman in the Dunes (The Re:group). Review by Matthew Moyer.
Memories (Triumvirate). Review by Matthew Moyer.
Eat Shit +1 (Junk). Review by Matthew Moyer.
Being And Nothing (Candlelight). Review by Matthew Moyer.
Burning The Shroud (Hammerheart). Review by Matthew Moyer.
His Creation Reversed (Hammerheart). Review by Matthew Moyer.
Iffy (Knitting Factory). Review by Matthew Moyer.
Hopscotch Lollipop Sunday Surprise (Scratchie). Review by Matthew Moyer.
John Badham’s 1983 future-tech helicopter thriller, Blue Thunder, with its cautionary tale of militarized police and a surveillance state, still resonates decades later.
What if the miracle of sight came with a curse? The Eye builds its horror from that chilling premise.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.