Bringers of Disease
Gospel Of Pestilence (Translation Loss). Review by Matthew Moyer.
Gospel Of Pestilence (Translation Loss). Review by Matthew Moyer.
Neon Nights (Eagle Rock). Review by Matthew Moyer.
The Glitter End (Critical Heights ). Review by Matthew Moyer.
Betrayal of Hearts (Sovereign States). Review by Matthew Moyer.
Paragate (Temple of Torturous). Review by Matthew Moyer.
Bardo Pond (Fire ). Review by Matthew Moyer.
P-Orridge’s writing stands on its own.
As an antidote to the sports-entertainment facade presented by the WWE, Card Subject To Change: Inside Pro Wrestling’s Underground succeeds.
Andrew Shaylor immersed himself in the wild, raw rockabilly subculture until he emerged with this exhaustive photographic record.
Into Darkness (Southern Lord). Review by Matthew Moyer.
Grown Unknown (Jagjaguwar ). Review by Matthew Moyer.
The Fallen (Candlelight Records ). Review by Matthew Moyer.
Frankie Rose and the Outs (Slumberland). Review by Matthew Moyer.
The Babies (Shrimper). Review by Matthew Moyer.
Fall Of Man (Trouble and Bass). Review by Matthew Moyer.
Kudos (Fire Records). Review by Matthew Moyer.
Too Beautiful To Work (Dead Oceans). Review by Matthew Moyer.
Song Islands Vol. 2 (PW Elverum & Son). Review by Matthew Moyer.
Music’s not for Everyone (K). Review by Matthew Moyer.
A mixture of interview audio and incidental footage, About A Son allows rockdom’s left handed martyr to tell his own story. Matthew Moyer appreciates the minimalism.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.