Aaron Tanner delivers 400 pages of visual delights from the ever-enigmatic band, The Residents, in The Residents Visual History Book: A Sight for Sore Eyes, Vol. 2.

When your arrangements are razor-sharp, your moods mercurial and psychedelic, and your melodies constantly off-kilter, you’re probably a Dutch band like Certain Animals.

Fragile (Hypertension Music). Review by Michelle Wilson.

Science For Girls (Self-released). Review by Chris Catania.

Ultra Music Festival celebrates a decade as dance music’s spiritual soul. S D Green makes the pilgrimage to Miami, is lost, and then found.

Pressure (Badman). Review by Jen Cray.

EP (None). Review by Jen Cray.

Dreamweb (Metropolis Records). Review by Jorge C. Galban.

Music for the Maases 2 (Hope / Kinetic). Review by Stein Haukland.

We Are Science (Mantra). Review by Ben Varkentine.

In Search of Sunrise (Black Hole). Review by Bill Campbell.

Various Artists (UTV / Water). Review by Bill Campbell.

Tony Bowman has an almost oracular knack for picking the next big thing, and he assures us Laura Dawn is it. Get to know her in this extensive conversation.

Modern Mantra (Shadow). Review by Bill Campbell.

Bust A Groove (Hypnotic). Review by Vanessa Bormann.

Horizontal (Water). Review by Vanessa Bormann.

Don’t Trust Whitey (self-released). Review by Ian Koss.

Animal Magic (Tru Thoughts/Ninja Tune). Review by Bill Campbell.

Analog Vs. Digital (Tarquin). Review by Ian Koss.

@ Sunrise and @ Sunset (Moonshine). Review by Vanessa Bormann.