The xx
I See You (Young Turks). Review by Jen Cray.
I See You (Young Turks). Review by Jen Cray.
Tired of Tomorrow (Relapse Records). Review by Jen Cray.
Peach (6131 Records). Review by Jen Cray.
Deafheaven bring together death metal and shoegaze and people lose their minds over it. Jen Cray had to see for herself.
This early Glam rocker was written off after he came out before anyone else then anguished in obscurity until his death from AIDS in 1982. Here’s his pitch for a Broadway musical.
International (Sacred Bones Records). Review by Alexa Harris.
Exits & All the Rest (Blackheart Records). Review by Carl F Gauze.
Greatest Hits: Songs from the South Volumes 1 & 2 (Gawd Aggie Recordings/ Universal). Review by Tim Wardyn.
Quentin Tarantino thinks this is moving. Carl F Gauze isn’t along for the ride.
Christmas, Thanks For Nothing EP (Moshi Moshi ). Review by Matthew Moyer.
Forget (Terrible Records). Review by Jen Cray.
Lucky for us and Cherry Red Books, Dave Thompson is a HUGE Sparks fan. Matthew Moyer calls Sparks: No. 1 Songs in Heaven his strongest piece of writing yet.
Chateau Revenge! (Cheap Lullaby). Review by Jeff Schweers.
No Hope No Future (Brille Records). Review by Carl F Gauze.
See You Tonight (Olympic Records). Review by Matthew Moyer.
Vs. Children (Tomlab). Review by Matthew Moyer.
Danish psychobilly trio Horrorpops bring the party, in exchange for free booze, to Orlando. Jen Cray was deep within the glorious madness.
Advance Base Battery Life (Tomlab). Review by Matthew Moyer.
Napoleon Sweetheart EP (Matinee). Review by Aaron Shaul.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.