Giant Drag
Hearts and Unicorns (Kickball). Review by Matthew Moyer.
Hearts and Unicorns (Kickball). Review by Matthew Moyer.
Surrogate Emotions of the Silver Screen (New Granada). Review by Matthew Moyer.
Futurists Against The Ocean (Mimicry Records). Review by Matthew Moyer.
M83 (Gooom/Mute). Review by Kiran Aditham.
December [Reissue] (Words On Music). Review by Aaron Shaul.
Government Commissions: BBC Sessions 1996-2003 (Matador). Review by Aaron Shaul.
No Sense In Waiting (Spinwheel Records). Review by Kyrby Raine.
The New American Century (Self-Released). Review by Kyrby Raine.
Autolux will put you to sleep while keeping you awake. Lush, dreamy sounds with bursts of distortion that made Jen Cray’s head feel light and her feet feel heavy.
Future Perfect (DMZ/Red Ink). Review by Aaron Shaul.
Treble and Tremble (Palm Pictures). Review by Jen Cray.
In A Different Place: Atmosphere Inspired Songs From The NW (Reverb). Review by Matthew Moyer.
New River Head (Rubric Records). Review by Matthew Moyer.
Vortex (Noise Plus). Review by Rob Levy.
Satin Black (Strange Attractors). Review by Aaron Shaul.
Ummo (Omnibus). Review by Aaron Shaul.
Head (Forever Records). Review by Daniel Mitchell.
Split (Springman/Substandard). Review by Aaron Shaul.
post-punk,gothic,Eleven Eleven,Head,Forever Records,Daniel Mitchell
split,one off collaboration,indie rock,bass,post rock,math rock,Kilowatthours & The Rum Diary,Split,Springman/Substandard,Aaron Shaul
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.