Sunshine
Necromance: Digital Urban Icons (Day After). Review by Nathan T. Birk.
Necromance: Digital Urban Icons (Day After). Review by Nathan T. Birk.
Bastardiser (Hydrahead/Chrome Saint Magnus) and Knut (Hydrahead). Review by Nathan T. Birk.
Rapture (Spitfire). Review by Nathan T. Birk.
Almost Heathen (Spitfire). Review by Nathan T. Birk.
Songs For Worship (The Music Cartel). Review by Nathan T. Birk.
Individual Rites (Prosthetic/Metal Blade). Review by Nathan T. Birk.
Into the Deepest Wounds (Olympic). Review by Nathan T. Birk.
Freedom is a State of Mind (Koch/Suburban Noize). Review by Nathan T. Birk.
Can Our Love… (Beggars Banquet). Review by Nathan T. Birk.
Compression (Favored Nations/Zain). Review by Nathan T. Birk.
For Those Whose Hearts and Souls Are True (GMM). Review by Nathan T. Birk.
Ageless Venomous (Century Media). Review by Nathan T. Birk.
Giving Up the Ghost (Triple X). Review by Nathan T. Birk.
The seminal Victory Records label has been responsible for some of the most influential and important hardcore acts of the last decade. Nathan T. Birk looks back at hardcore history with their new DVD, Victory Video Collection.
Resigned (Kill Rock Stars). Review by Nathan T. Birk.
Professional Murder Music (Geffen). Review by Nathan T. Birk.
A Sun That Never Sets (Relapse). Review by Nathan T. Birk.
The No. 6 Dance (Small Stone). Review by Nathan T. Birk.
Crack Rock Steady EP/Squatta’s Paradise Split CD (Tent City). Review by Nathan T. Birk.
Jesus Christ Bobby (Victory). Review by Nathan T. Birk.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.