Shellito
Benevolent Laser (How About Rabbits Records). Review by Matthew Moyer.
Benevolent Laser (How About Rabbits Records). Review by Matthew Moyer.
Gaps (Hypnote). Review by Aaron Shaul.
In the Marshes (Words on Music). Review by Aaron Shaul.
The Matinee Hit Parade (Matinee). Review by Aaron Shaul.
Maiden Voyage Plus (Artoffact). Review by Aaron Shaul.
The Burning Circle And Then Dust (Silber). Review by Matthew Moyer.
Night of the Furies (Merge). Review by Aaron Shaul.
A Child But in Life Yet a Doctor in Love (Words on Music). Review by Aaron Shaul.
Sins (Novoton). Review by Aaron Shaul.
Some Midnight Kissin’ (Lujo). Review by Jen Cray.
Afraid of Stairs (Lavender). Review by Aaron Shaul.
All Lost (Graveface). Review by Aaron Shaul.
Before the Design Republic, before even 4AD’s Vaughan Oliver / v23, there was Peter Saville and Factory Records. The history of music and design is filled with intersections, and Matthew Moyer considers none to be as seminal as this.
In the Bronze Age (Postfact). Review by Aaron Shaul.
Danceteria (NativeSun). Review by Matthew Moyer.
City Vs Country (Ghostly International). Review by Aaron Shaul.
Frontman/shirtless sex symbol/small-town boy Scott Blonde discusses the Bay Area band’s scandalous past – and future – in a candid interview with Steve Stav.
Madame, Madame! (Razzia). Review by Aaron Shaul.
La Societe Nouvelle (Hybris). Review by Aaron Shaul.
Twins (). Review by Kyrby Raine.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.