Dead Confederate EP (The Artists Organization/Razor & Tie). Review by Jen Cray.

Good Machine (Self-Released). Review by Jen Cray.

Midnight Cashier (Dirtnap). Review by Jen Cray.

The Forms (Threespheres). Review by Jen Cray.

The freshly reunited Dinosaur Jr. prove that you don’t have to create a big PR circus to get people excited about your comeback. The numbers may have been modest, but those who made it out to the band’s Orlando show at The Club@Firestone – Jen Cray among them – had a Sunday night to remember.

Young Modern (Eleven). Review by Jen Cray.

Dodging fights in the streets, Jen Cray made it inside The Social for a gorgeous evening of dreamy indie pop courtesy of Robbers on High Street and Great Northern.

Year Long Disaster (Volcom). Review by Jen Cray.

‘93 - ‘03 (Cooking Vinyl). Review by Linda Tate.

Four on the Floor (The Militia Group). Review by Jen Cray.

Sudden Departure Vultures (Uprising). Review by Jen Cray.

Someone in Madison is Praying for You (And It’s Not Me) (Commie Martyr 512). Review by Chris Catania.

Totimoshi may have been playing to a crowd that could have fit into Jen Cray’s living room, but that did nothing to dim their spirits or the quality of their performance.

Kodiak (Eyeball). Review by Jen Cray.

Speaking with vocalist Vice Cooler and guitarist Steve Touchstone of the undefinable trio of XBXRX , Jen Cray got them to talk about the brilliance of Kill Rock Stars, recording with Ian Mackaye and Steve Albini and how their live shows have resulted in permanent scarring.

Because Of The Times (RCA). Review by Jen Cray.

The Dark Third (Red Ink). Review by Michael Crown.

Curses (Gern Blandsten). Review by Aaron Shaul.

Diagrams Without Instructions (Hi Fi Alliance). Review by Jen Cray.

Respected journalist Marc Spitz writes the first authorized look into the “turbulent life, times and music of Green Day.” Jen Cray reports on what she deems one of the most entertaining music biographies ever written.