Lion’s Law
Cut the Rope (Pirate’s Press Records). Review by Scott Adams.
Cut the Rope (Pirate’s Press Records). Review by Scott Adams.
Graveyard Island (Hellcat). Review by Scott Adams.
Simple, catchy punk band Cockney Rejects reflected the tough streets of East End, London, giving name to the Oi subgenre.
Too Little Too Late / Revenge of the Village Idiots (Village Idiot Records). Review by Carl F Gauze.
Same Meat, Different Gravy (TKO Records). Review by Carl F Gauze.
Leaving the Ways (Side One Dummy Records). Review by Jen Cray.
Street Punk Worldwide (Street Anthem /Rebellion / Bandworm). Review by Carl F Gauze.
Return of Jacques de Molay and Phase II (GMM Records). Review by Rob Walsh.
Various Artists (GMM). Review by Rob Walsh.
Various Artists (Disaster). Review by Vinnie Apicella.
Beat The Bastards (Spitfire). Review by David Lee Beowulf.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.