You and I in the Kaleidoscope (Unsigned). Review by S D Green.

Wisely (Oglio/Fontana ). Review by Bryan Tilford.

High Society (Cheap Lullaby). Review by Jen Cray.

Matt Parish sees if Tony Palmer’s trailblazing “rockumentary” on the sounds of the Sixties has stood the test of time.

Memory Almost Full (MPL Communications LTD). Review by Christopher Long.

White Bread Black Beer (Nonesuch/Rough Trade). Review by Ben Varkentine.

Parador (Ella/Not Lame). Review by Sean Slone.

Not too many bands could recruit Pearl Jam as an opening act, but the boys from Rockford, Illinois once did. Steve Stav , who once asked his mom if she could knit him a checkered sweater, corrals guitarist Rick Nielsen for an expectedly humorous look at America’s greatest rock ‘n’ roll show.

Sometimes, you have to weed through the junk to find the treasure. Well, here it is. Brittany Sturges meets Pawnshop Roses.

It’s Gail Worley’s annual List of the Top 19 Quotes from Interviews she conducted with various Rock Types in 2005!

Was it a time warp in Carnegie Hall? Gail Worley reports on what may be the greatest tribute band of the greatest band ever.

Rev Neil Down, Lahna Deering, Jerry Scheff, Henry McCullough, Doors, Paul McCartney, Ireland, Switzerland ,Deering and Down,,Echo Lounge Atlanta GA,May 28th 2004,David Whited

The Rev. Neil Down and The Quite Fetching Lahna Deering blast the Echo Lounge in one of their first shows in the ‘Lower 48.’ David Whited reports.

The Internet’s first on-line songwriting service proves to be a big hit. “Trespassers May Be Eaten”, “My Dad Thinks I’m Gay” and “My Mother Doesn’t Like You” are just some of the products of a virtual request-a-song service that is hitting all the right notes with site visitors. Andrew Ellis finds out more.

Phantom Power (XL). Review by Sean Slone.

Metarie EP (Star Time). Review by Sean Slone.

Nectar (Signature Sounds). Review by Stein Haukland.

Lost Together (Atenzia). Review by Andrew Ellis.

Life On Other Planets (Island Records). Review by Sean Slone.

Fearless (Good Ink). Review by Stein Haukland.