Juliana Hatfield
Lightning Might Strike (American Laundromat). Review by Kristian Hartter.
Lightning Might Strike (American Laundromat). Review by Kristian Hartter.
Blood (American Laundromat Records). Review by Laura Pontillo.
All the Pain Money Can Buy (20th Anniversary Edition) (Omnivore Recordings). Review by Christopher Long.
Friday Night Is Killing Me (Omnivore Recordings). Review by James Mann.
SoLow (JCPL ). Review by James Mann.
Blisters In The Pit of My Heart (Dirtnap). Review by Jen Cray.
Boxers. Review by Andrew Ellis.
They could go from the greatest band you ever saw to an out of control drunken mess, all in the same song. Color Me Obsessed pays tribute to last great American band, The Replacements. You can color James Mann obsessed!
Treatment Bound: A Ukulele Tribute to The Replacements (Bar/None Records ). Review by James Mann.
Ghost on the Canvas (Surfdog Records). Review by Sean Slone.
Once, Twice, Three Times A Maybe (Ryko). Review by Sean Slone.
Is This Progress? (145 Records). Review by Carl F Gauze.
Regret Over the Wires (Hybrid). Review by Sean Slone.
Come Feel Me Tremble (Vagrant). Review by James Mann.
Dead Man Shake (Anti-/Fat Possum). Review by James Mann.
Tell Balgeary, Balgury is Dead (Lookout!). Review by Stein Haukland.
Comedy Horn (Post-Parlo). Review by Aaron Shaul.
Loneliness Knows My Name (Hollywood). Review by Stein Haukland.
The Fine Art of Self Destruction (Artemis Records). Review by Sean Slone.
Bee Line (Vanguard). Review by Sean Slone.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.