Afterimage
Faces to Hide (Independent Project Records). Review by Peter Lindblad.
Faces to Hide (Independent Project Records). Review by Peter Lindblad.
Absolute Dissent (Spinefarm/Universal). Review by Matthew Moyer.
Revisited (Pnuma). Review by Gail Worley.
Sex Is Everything (Cold Crush). Review by Stein Haukland.
Butthole Surfers + Live PCPPEP (Latino Bugger Veil / Revolver). Review by Stein Haukland.
Volume 7 (Devil Doll). Review by Stein Haukland.
mclusky do dallas (Too Pure). Review by Stein Haukland.
Float Away With the Friday Night Gods (E-Squared / Artemis). Review by James Mann.
Can DVD capture the grandeur one of the greatest punk bands of all, The Clash? Director and longtime cohort Don Letts gives it a try with Westway to the World. James Mann will let you know-oh, should it stay or should it go.
Any Other City (DC / Baltimore 2012). Review by Terry Eagan.
There is No Future (Trojan). Review by Brian Kruger.
The Best of Pigface (Invisible Records). Review by James Mann.
Yahweh or the Highway (Skin Graft). Review by Nathan T. Birk.
Necromance: Digital Urban Icons (Day After). Review by Nathan T. Birk.
You could call it an industrial supergroup: Martin Atkins, Chris Connelly, Jah Wobble, and Geordie Walker bring together decades of experience in bands like Pigface, Killing Joke, Public Image Limited, Ministry, the Revolting Cocks, and more, and start a new project, the Damage Manual. drew West gets the story straight from Atkins himself.
Metal Box / Second Edition (1979 / 1980) (Warner Brothers). Review by Charles D.J. Deppner
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.