Jen Cray enjoys a time trip back to 1994 with everyone’s favorite college radio folk duo, Indigo Girls.

#1 Record/Radio City (Concord Records). Review by Carl F Gauze.

In an era of $100 tickets for has-been arena shows, twenty bucks doesn’t buy much entertainment. Or does it? Steve Stav found that his thin wallet went a long way at Seattle’s Showbox, in a night capped by Glasgow sensation Camera Obscura.

The Bright Orange Years (Merge Records). Review by Scott Adams.

On the Chewing Gum Floor (K Records). Review by Andrew Coulon.

Birds On Wires (Hey!LowSound Recordings). Review by Robert M. Sutton.

Ancestor (Kemado). Review by Jen Cray.

Matthew Moyer spends a quiet night in with TSOL.

The Lord Dog Bird (Jagjaguwar). Review by Aaron Shaul.

Before This Winter Ends (Self Released). Review by Carl F Gauze.

For his first live review, Tim Wardyn brought his wife along to one of the biggest concerts of the year in one of the best venues in the nation. Once the smoke cleared (literally), one band played like it was 1985 and another acquired a new fan.

Carl F Gauze takes an armchair tour through old Atlanta, courtesy of Zeus Henderson’s super-8 camera.

Langerado is no longer just for fans of jam bands. Now in its sixth year, the Florida festival has expanded into a four day event that scored R.E.M. and the Beastie Boys as headliners. Jen Cray spent some time in the Everglades swamplands to join in on the party.

Dead Confederate EP (The Artists Organization/Razor & Tie). Review by Jen Cray.

Editors remind Orlando audiences that it was the UK that birthed their brand of darkly deep indie rock. Jen Cray couldn’t help but wonder if they were ripping off Joy Division, or Interpol’s interpretation of Joy Division.

One Small Step For Landmines (Civil Defense League). Review by Jen Cray.

The Air Salesman (International Hits). Review by Jen Cray.

Midnight Cashier (Dirtnap). Review by Jen Cray.

Personal Stereo (Beatservice). Review by Aaron Shaul.

Little Amber Bottles (Original Signal). Review by Jen Cray.