Teddy Thompson
Heartbreaker Please (Thirty Tigers). Review by Carl F. Gauze.
Heartbreaker Please (Thirty Tigers). Review by Carl F. Gauze.
The New Wrong Way. Review by Bob Pomeroy.
King of the Crows. Review by James Mann.
Life (Y&T). Review by Bob Pomeroy.
My Mother Doesn’t Know I’m on the Stage (Omnivore). Review by Bob Pomeroy.
A few our editor saved from falling thru the cracks of 2017.
“Sincerely, L. Cohen: A Live Celebration” (Potato Family Records). Review by Bob Pomeroy.
Sillion (Transgressive Records Ltd.). Review by James Mann.
Parallelogram (Three Lobed Recordings). Review by James Mann.
Cayamo Sessions At Sea (New West Records). Review by James Mann.
Drifted In The Beginning & Beyond (Omnivore Recordings). Review by James Mann.
Still (Fantasy). Review by Bob Pomeroy.
Holly Grove. Review by James Mann.
The Beautiful Old (Doubloon). Review by James Mann.
Heartbreak (Omnivore Recordings). Review by James Mann.
It’s tough being Richard Thompson. Luckily he decides to disregard the past and stay firmly rooted in the now with a sparkling set of new songs.
Greatest Hits: Songs from the South Volumes 1 & 2 (Gawd Aggie Recordings/ Universal). Review by Tim Wardyn.
A Thousand Days (Kontext). Review by Bob Pomeroy.
High Swan Dive (Self Released). Review by Aaron Shaul.
The Ride (Mammoth/Hollywood Records). Review by Carl F Gauze.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.