The Jesus Lizard
Rack (Ipecac). Review by Julius C. Lacking.
Rack (Ipecac). Review by Julius C. Lacking.
Culture Shock Treatment (Paper and Plastick). Review by Julius C. Lacking.
40 years down the road and Flipper remains a lovingly overwhelming evening, with David Yow on vocals.
The Horror (Sacred Bones). Review by Matthew Moyer.
Scramble (Suicide Squeeze). Review by Matthew Moyer.
Big Business delivered a ::beep:: of a rock show in Jacksonville, according to Scott Adams , even if the majority of the audience was too busy texting one another to have realized it.
Fake Fake (Modern Radio Records). Review by Matthew Moyer.
Scott Adams travelled all the way to Chicago to scope out the veteran indie label’s birthday. And with Big Black , Scratch Acid and the Didjits , amongst other label mainstays, reforming just for the event, there was no way he would leave disappointed.
We Are All Sluts of Trust (Chemikal Underground). Review by Matthew Moyer.
Pretest (Relapse Records). Review by Daniel Mitchell.
Yahweh or the Highway (Skin Graft). Review by Nathan T. Birk.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.