Simple Minds
Cry (Eagle). Review by Sean Slone.
Cry (Eagle). Review by Sean Slone.
Become You (Epic). Review by Sean Slone.
In a chat with drummer Mark Ortmann, Sean Slone discovers why all the songs on The Bottle Rockets’ new album remain the Sahm.
Face of My Hometown (Sideburn). Review by Sean Slone.
A Tribute to the Soundtrack to Robert Altman’s Nashville (Mint). Review by Sean Slone.
While You Weren’t Looking (Yep Roc). Review by Sean Slone.
Cake And Pie (A&M). Review by Sean Slone.
Golden Age of Radio (Signature Sounds). Review by Sean Slone.
Things Change (Leaps). Review by Sean Slone.
Songs Of Sahm (Bloodshot). Review by Sean Slone.
Must Be Live (Gearle). Review by Sean Slone.
Night Sessions (Columbia). Review by Sean Slone.
Feeding The Gods (What Are). Review by Sean Slone.
Del And the Boys (Ceili). Review by Sean Slone.
Once We Were Trees (Sub Pop). Review by Sean Slone.
In the Presence of Greatness (Action Musik). Review by Sean Slone.
Poses (Dreamworks). Review by Sean Slone.
Demolition (Parasol). Review by Sean Slone.
All Is Dream (V2). Review by Sean Slone.
New Favorite (Rounder). Review by Sean Slone.
John Badham’s 1983 future-tech helicopter thriller, Blue Thunder, with its cautionary tale of militarized police and a surveillance state, still resonates decades later.
What if the miracle of sight came with a curse? The Eye builds its horror from that chilling premise.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.