Sebadoh
III (Domino). Review by Jen Cray.
III (Domino). Review by Jen Cray.
The Loon (XL). Review by Jen Cray.
Austin May (self-released). Review by Kyrby Raine.
Time conquers all, even famously virtriolic band implosions. Witness the recent Pixies reunion, and as Steven Garnett did, Dinosaur Jr.
Central Hug/Friendarmy/Fractaldunes (Discos Mariscos). Review by Rob Levy.
…is a Real Boy (Doghouse). Review by Daniel Mitchell.
2 (Narnack Records). Review by Terry Eagan.
I’ll Take It (Arena Rock). Review by Matthew Moyer.
Leftover Blues 1991 – 2003 (Contraphonic). Review by Terry Eagan.
Human Amusement at Hourly Rates (Matador). Review by Stein Haukland.
Human Amusement at Hourly Rates (Matador). Review by Stein Haukland.
943 Recluse (Recordhead / Mr. Whiggs). Review by Stein Haukland.
Songs For an Unborn Sun (Temporary Residence). Review by Aaron Shaul.
Lou B’s Wasted Pieces ‘87-‘93 (Shrimper). Review by Stein Haukland.
Lou B’s Wasted Pieces ‘87-‘93 (Shrimper / Revolver). Review by Stein Haukland.
The Singles 1992-1997 (No Sides). Review by Terry Eagan.
London Crawling (Rub Wrongways Records). Review by Daniel Mitchell.
Songs from Willapa Bay (Karma Records). Review by Ryan Yemen.
Wonderue (K). Review by Matthew Moyer.
At Sixes and Sevens (Sub Pop). Review by Matt Cibula.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.