The glass bottom boat of the cultural press
British pop-rock poster boys The Struts are currently amping up for an exhaustive 35-plus-city U.S. summer concert tour, commemorating the milestone 10th anniversary of their debut, Everybody Wants. Longtime Ink19 contributor Christopher Long breaks down why he considers the album a modern-day classic.
In this latest installment of his weekly series, Christopher Long discovers and scores a secondhand vinyl copy of one of his all-time favorite LPs: 2XS (To Excess), the splendid 1982 flop from the iconic Scottish powerhouse, Nazareth.
Cum on Feel the Hitz (BMG). Review by Scott Adams.
Bride of the Devil (Metropolis Records). Review by Carl F Gauze.
No Hope No Future (Brille Records). Review by Carl F Gauze.
Live At Budokan (Epic/Legacy). Review by Scott Adams.
Ruff Draft (Stones Throw). Review by S D Green.
Capture / Release (V2 Records). Review by Carl F Gauze.
The Pleasures of Schizophrenia (Rock Garden). Review by Carl F Gauze.
Spring blooms with exciting new productions in Orlando’s vibrant Theater Scene! Carl Gauze loads up on antihistamines and reports on this season’s spores.
Keith Kofron and the League of Poetic Justice (Ohm Sound). Review by Carl F Gauze.
Won’t Reach the Fifth (Absolute Marketing). Review by Vinnie Apicella.
Hi-Fi Serious (Mammoth). Review by Stein Haukland.
Rèalistes (Kill Rock Stars). Review by Stein Haukland.
The Best of Britny Fox (Columbia/Portrait/Legacy). Review by David Lee Beowulf.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.
