Mixtape 162 :: The Shame of Love
Juliana Hatfield is once again in the middle of an unstoppable creative streak, now mixing her needle-sharp pop sensibilities with some truly out-there production.
Juliana Hatfield is once again in the middle of an unstoppable creative streak, now mixing her needle-sharp pop sensibilities with some truly out-there production.
Monster (Universal Music Company). Review by Christopher Long.
Sonic Kicks (Yep Roc). Review by Matthew Moyer.
Congratulations (Sony/Columbia). Review by Matthew Moyer.
Wind’s Poem (PW Elverum and Son). Review by Matthew Moyer.
In author Pete Blecha’s new examination of the gnarled roots of Seattle rock music, he posits that it all started with the slurred words “Louie Louie.” Scott Adams obviously approves.
Greg Prato’s new oral history of Seattle music (or “grunge” to you and me, bucko) strikes the right balance between bratty humor and pathos, thinks Matthew Moyer. And was the bassist from Guns N’ Roses really in the Fastbacks? Read on,,,
With Me (Sonic Boom). Review by Linda Tate.
Misadventures in Radiology (Sonic Boom). Review by Aaron Shaul.
Tall Tales on Tape (Sonic Boom). Review by Eric J. Iannelli.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.