The glass bottom boat of the cultural press
Boasting a bounty of country-fried sing-alongs that shine as brightly as their rhinestone-studded outfits, Midnight Cowgirls is one of those special new bands that just demands attention. Christopher Long recently chatted up guitarist / vocalist Blaise Dahl about the Cowgirls’ warp-speed world.
The Big Rock (Omnivore Recordings / RSO). Review by Carl F Gauze.
Let the Good Times Roll (Rounder Records). Review by James Mann.
Rocking At Ground Zero with Rare Cuts! (Hepcat Records). Review by Carl F Gauze.
Blast Off (Hep Cat) Review by Christopher Long.
Hell Yeah! (Hellcat). Review by Daniel Mitchell.
Hell Yeah! (Hellcat). Review by Daniel Mitchell.
Locally World Famous. Review by Gail Worley.
Love Me Like Crazy (Rubric). Review by Matt Cibula.
Adventures In Tokyo (Tooth & Nail). Review by Daniel L. Mitchell.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.
