Superman blows his brains out and a sleazy detective tries to cash in on the publicity. At least that’s what Carl F Gauze thought he saw during this muddled film.

Roc-Sac (Run-Roc). Review by Kiran Aditham.

The Horror of Amusement ((self-released)). Review by Matthew Moyer.

American Supreme (Mute Records). Review by Matthew Moyer.

A Rock and Roll Tragedy (Zero Velocity Records). Review by Carl F Gauze.

Lil’ Beethoven (Palm Pictures). Review by Carl F Gauze.

Lil’ Beethoven (Palm Pictures). Review by Carl F Gauze.

To Live (File 13 Records). Review by Matthew Moyer.

Skin’s Getting Weird (Gold Standard Laboratories). Review by Terry Eagan.

A.R.E. Weapons (Rough Trade). Review by Matthew Moyer.

Martin Rev (ROIR Records). Review by Matthew Moyer.

In this first of two installments, Suicide frontman Alan Vega lets Matthew Moyer into the world of one of rock’s most influential forces and learns the dark truths of punk rock, modern art and …Eminem?

In this second part of Matthew Moyer’s interview with Suicide frontman Alan Vega, we delve into sculpting, a writing addiction and those times where you’re not sure if you’ve already died.

Tom “Tearaway” Schulte grooves the night away to Suicide and the Warlocks and asks the immortal question - Is Brenda Bergman always high? Edit

Kevin Blechdom at The Cow Haus in Tallahassee, FL on May 22, 2002. Concert review by Matthew Moyer. Photos by Heather Lorusso.

Ping Pong Bitches at Camden Dingwalls in London, England on March 3, 2002. Concert review by Matthew Moyer. Photos by Heather Lorusso.

Christopher R. Weingarten gets a few words with the punk rocker most hated by his own community, the “Atom” half of Atom and His Package, Adam Goren. The Package, alas, remains unavailable for comment.

God Says No (A&M). Review by Nathan T. Birk.

Suture (Invisible). Review by Matthew Moyer.

Event Review by Matthew Moyer