A Place To Bury Strangers
Synthesizer (Dedstrange). Review by Steven Cruse.
Synthesizer (Dedstrange). Review by Steven Cruse.
The sounds of Moog synthesizers have been the future of music for a good part of our past now. Julius C. Lacking takes a look at this comprehensive guide.
Arktika (Glacial Movements). Review by Carl F Gauze.
Musical duos have become their own genre, much in the same way the Beatles helped define the bass, drums, guitars rock quartet. Matthew Moyer looks inside the husband/wife duo of Lullatone to explore the seriousness of toy instruments and just how much babies love Busta Rhymes.
Destination Space (Oglio). Review by Carl F Gauze.
From the Bureau of Robotic Affairs (Solarium). Review by Carl F Gauze.
Satanic Puppeteer Orchestra. Review by Carl F Gauze.
Ever wonder where those electronic squiggles in old Science Fiction films came from? Ever wonder about the first bands to abandon guitars for electronic instruments? Two new films from Plexfilm show you how Robert Moog taught circuits to sing and how British pop bands put those sounds on the pop charts. Bob Pomeroy sings the body electric.
Keith Kofron and the League of Poetic Justice (Ohm Sound). Review by Carl F Gauze.
The equation Add N to (X) represents the sum of post-modern music made with retro analog synths and a healthy dose of porn, and the product is machine sexy, indeed. Ian Koss spoke with Barry Smith about his many fetishes and kinks.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.