Strike Anywhere plus Bane… the perfect combination of hardcore and politi-punk for Jen Cray to shake out the frustrations of a long week to.

As the World Burns, legendary L.A. punk bands tour the country with their original lineups, and give the fans something to get excited about! X and Rollins Band have hit the tour circuit bringing Texas’ Riverboat Gamblers along for the ride. Jen Cray was right down front.

A New Language (V2). Review by Kiran Aditham.

Little Steven’s Underground Garage-A-Go-Go’s 4th of July event at Tampa’s Hard Rock Casino featured Buzzcocks, The Chesterfield Kings, The Gore Gore Girls, Fortune & Maltese , and The Unrequited Loves. It wasn’t a tour, it wasn’t a private event, it was free, and Jen Cray was there.

The Warrior’s Code (HellCat Records). Review by Jen Cray.

Thirty Seconds to Mars are deliriously sleep deprived when they sit down with me for a quick Q and A before taking the stage at Orlando’s Hard Rock Live.

This Is…Eurovox (Saville Row Recordings). Review by Kyrby Raine.

Rock ‘n’ Roll Etiquette (Narnack). Review by Aaron Shaul.

Green Day started out 16 years ago as a bratty punk rock band playing in dank, empty clubs, but these days their ambitious punk rock opera American Idiot has catapulted them onto a sold-out arena tour. Jen Cray finds them not to have changed in the least.

Shake the Sheets (Lookout!). Review by Aaron Shaul.

Social Distortion plays to yet another sold-out crowd 25 years into their career. Thus proving conclusivelly, to Jen Cray and all that Punk is not dead.

Guitar and Drum (Kung Fu Records). Review by Vinnie Apicella.

Lars Fredriksen and the Bastards (Hellcat Records). Review by Daniel Mitchell.

Billy Talent (Atlantic). Review by Addam Donnelly.

The Libertines (Rough Trade). Review by Danny Lewis.

Light Up (Asian Man). Review by Aaron Shaul.

The Menudo Incident? (BYO). Review by Van Sias.

Shine a Light (Sub Pop). Review by Aaron Shaul.

Streetcore (Hellcat). Review by James Mann.

Plan A Project (Go-Kart). Review by Stein Haukland.