The Organ
Grab That Gun (Mint). Review by Aaron Shaul.
Grab That Gun (Mint). Review by Aaron Shaul.
We Breat Our Own Hearts (VMS/Morphius). Review by Ben Varkentine.
The Nein (Sonic Unyon). Review by Aaron Shaul.
Resident Evil Apocalypse: Music From and Inspired by the Original Motion Picture (Roadrunner Records). Review by Joe Frietze.
Lit (DRT / Nitrus / Dirty Martini). Review by Sir Millard Mulch.
Polizida (Ice Planet). Review by Daniel Mitchell.
Trying To Never Catch Up (Self Released). Review by Sean Slone.
Fast>Future>Present (54, 40, or Fight!). Review by Daniel Mitchell.
White Houses (Greyday Productions). Review by Rob Levy.
Dylan Garret chats with Dan Geller of I Am The World Trade Center about dance music, DJing, downloads, and how New York City needs to stop being so damned expensive already. All this and more, with less questions about the band’s name than you’ve come to expect. Well, okay, just one. But it’s a good one.
Modest Mouse,Good News For People Who Love Bad News,Epic,by Nick Plante
Good News For People Who Love Bad News (Epic). Review by Nick Plante.
experimental,avant-garde noise,noise rock,electro,techno,Xiu Xiu,Fabulous Muscles,5RC,Aaron Shaul
Fabulous Muscles (5RC). Review by Aaron Shaul.
post-punk gothic ,The Cure,The Cure,Geffen,Daniel Mitchell
The Cure (Geffen). Review by Daniel Mitchell.
Head (Forever Records). Review by Daniel Mitchell.
post-punk,gothic,Eleven Eleven,Head,Forever Records,Daniel Mitchell
Battery (Barsuk). Review by Aaron Shaul.
indie british rock brit-pop 1980s ’80s,Aveo,Battery,Barsuk,Aaron Shaul
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.