What Is Love For (Rykodisc). Review by Andrew Ellis.

One Day You’ll Dance For Me Tokyo! (Kriztal). Review by Aaron Shaul.

For his first show in Central Florida in 15 years, Morrissey proved that not since Elvis has a musician been capable of inciting a near riot by a twist of his lip and the tossing of his shirt. Jen Cray was happily amongst the swooning masses.

Some Midnight Kissin’ (Lujo). Review by Jen Cray.

Both Before I’m Gone (Blackheart). Review by Jen Cray.

With The Rapture playing just four blocks away and competing for much of the same audience, The Dears still managed to pack in a large crowd of indie rock fans with good taste. Jen Cray had little trouble deciding which show to attend.

The Crane Wife (Capitol). Review by Jen Cray.

Gang of Losers (Arts & Crafts). Review by Jen Cray.

Make History (Frenchkiss). Review by Jen Cray.

Playing The Angel (Sire/Reprise/Mute). Review by Jorge C. Galban.

Dance/pop darlings of the 80’s, Erasure, bring a flamboyant display of unadulterated fun to Orlando’s House of Blues. Jen Cray is pleasantly surprised.

Bone (Koch Records). Review by Sean Slone.

Grab That Gun (Mint). Review by Aaron Shaul.

You Are the Light (Secretly Canadian). Review by Aaron Shaul.

Poison Arrows (Lookout! Records). Review by Daniel Mitchell.

Dylan Garret chats with Dan Geller of I Am The World Trade Center about dance music, DJing, downloads, and how New York City needs to stop being so damned expensive already. All this and more, with less questions about the band’s name than you’ve come to expect. Well, okay, just one. But it’s a good one.

Morrissey,Quarry,Irish,Blood,Smiths,Attack,Morrissey,You Are The Quarry,Attack/Sanctuary,Kiran Aditham

Battery (Barsuk). Review by Aaron Shaul.

You Are The Quarry (Attack/Sanctuary). Review by Kiran Aditham.

indie british rock brit-pop 1980s ’80s,Aveo,Battery,Barsuk,Aaron Shaul