The glass bottom boat of the cultural press
British pop-rock poster boys The Struts are currently amping up for an exhaustive 35-plus-city U.S. summer concert tour, commemorating the milestone 10th anniversary of their debut, Everybody Wants. Longtime Ink19 contributor Christopher Long breaks down why he considers the album a modern-day classic.
Origins, Vol. 2 (Entertainment One (eOne)). Review by Christopher Long.
Britain’s pop/rock poster boys recently brought their “Everybody Wants” world tour to Orlando, FL for a sold-out performance at The Social. Christopher Long was there, waiting like a giddy schoolgirl when the band rolled into town.
A fascinating look at the melding of three seemingly disparate artists during a brief period of time that resulted in some of the most influential music to come out of the Seventies.
Anomaly (Bronx Born Records). Review by Christopher Long.
Necromance: Digital Urban Icons (Day After). Review by Nathan T. Birk.
Author Larry Niven theorizes that unusual patches of fog are the result of an…
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.
