Tom Waits brought his Glitter and Doom tour to Atlanta, and James Mann lived to tell the tale. The boy is changed!

The Strangest Colored Lights (Skybucket Records). Review by Carl F Gauze.

Guitar Bomb (Crafty). Review by Jen Cray.

Beauty?… (Hollow Hills Sound Recordings). Review by Matthew Moyer.

Raising Sand (Rounder). Review by Jen Cray.

Approximate Hellhound (Metaphor Rhythms). Review by Sean Slone.

Police, Police! (Standard Recording Co.). Review by Aaron Shaul.

How to Make a Bad Situation Worse? (In Music We Trust). Review by Tim Wardyn.

The Catman Chronicles 2: How I Want to Live (Keevay Music). Review by Joe Frietze.

Leave the Light On (Mighty Albert/Signature Sounds). Review by Sean Slone.

Cold War Kids , riding a tsunami swell of buzz off of their debut album Robbers & Cowards, was a sure-to-sell-out event (and it did) that no self respecting music fan in Orlando- esspecially Jen Cray - would have been absent from.

Micah P. Hinson and the Opera Circuit (Jade Tree). Review by Aaron Shaul.

Let It Roll (Dahlia). Review by Aaron Shaul.

The Wanderlust Diaries (Dualtone). Review by Andrew Ellis.

Singer songwriter Eleni Mandell talks with Chris Catania about her new record, recording with Nels Cline and making out to Tom Waits.

Victory Records has taken a chance on an experimental indie rock band that put out one of 2006’s most exciting debuts. Moros Eros are going to blow up in 2007. Jen Cray spoke with lead singer/guitarist/lyricist, Zach Tipton , while he enjoyed what could very well be his last couple weeks of anonymity at home in Georgia.

Nisht Azoy (Constellation). Review by Aaron Shaul.

Magpie (Fiction). Review by Sean Slone.

Tournament of Hearts (Sub Pop). Review by Aaron Shaul.

These Old Nites (Purefire Records). Review by Kyrby Raine.