There are many two-genre combos that will fit on Blitzen Trapper like a tailored suit, but my current favorite is “country psychedelia”.

Sneaks uses electronic layers and a disaffected delivery to create something that lives in the past and in the future and only circumstantially in the present.

Split Cassette (Rainbow Pyramid). Review by Matthew Moyer.

Kairos (Dead Oceans). Review by Matthew Moyer.

Shelton Hull refers to the feminist vision of the inimitable Lydia Lunch as “seminal” and lives to tell the tale.

Songs of Love & War (Second Shimmy). Review by Bob Ham.

Anything (Palm Records). Review by Tim Wardyn.

Push The Button (Virgin). Review by Andrew Ellis.

This Means Forever (Tigerbeat6). Review by Aaron Shaul.

Second Nature (Ipecac Records). Review by Matthew Moyer.

Much More Than Much Love (Sony UK). Review by Eric J. Iannelli.

Vulnerable (Sanctuary). Review by Troy Jewell.

The Message at the Depth (Red Ink/Sony). Review by Bill Campbell.

Charango (Warner). Review by Bill Campbell.

Retuned (Primevil). Review by Bill Campbell.

Multiple Offenses (Waveform). Review by Bill Campbell.

Moon Theory (Ursa Minor). Review by Bill Campbell.

Sonic Residue from Vapourspace (Magna Carta). Review by Daniel L. Mitchell.

Compassion (Eighteenth St. Lounge). Review by Bill Campbell.

Ayeshteni (Beggars Banquet/Mantra). Review by Nathan T. Birk.