Electro Melodier (Thirty Tigers Records). Review by Misty Marcus.

Juliana Hatfield is once again in the middle of an unstoppable creative streak, now mixing her needle-sharp pop sensibilities with some truly out-there production.

Trace (Rhino/ Warner Bros. Records). Review by James Mann.

This Is Lone Justice: The Vaught Tapes, 1983 (Omnivore Recordings). Review by James Mann.

Honky Tonk (Rounder Records). Review by James Mann.

Aye Jay has already conquered Rap, Metal, and Punk with his activity books, now he is taking on country. Is he just as successful? Tim Wardyn finds out.

Signal Morning (Cloud Recordings). Review by Tim Wardyn.

Ghost Dance (K). Review by Aaron Shaul.

Enter to Exit (In Music We Trust). Review by Tim Wardyn.

Meadow (Merge). Review by Aaron Shaul.

Jubilee Dive (New West). Review by Sean Slone.

Okemah and the Melody of Riot (Transmit Sound). Review by Aaron Shaul.

Whiskey Drown (self-released). Review by Tim Wardyn.

Liz Janes & Create(!) (Asthmatic Kitty). Review by Aaron Shaul.

Love & Bombs (Yep Roc). Review by Aaron Shaul.

Dead Roses (Resonant Noise). Review by Aaron Shaul.

Bury Your Hate in a Shallow Grave (Lelp). Review by Aaron Shaul.

Days after receiving their very first Grammy Award for their fifth album, A Ghost Is Born, Wilco greets a sold-out Orlando, FL crowd. And Jen Cray.

Ten Mile Grace (Sabot Productions). Review by Daniel Mitchell.

Hands Up! (Yep Roc). Review by Aaron Shaul.