Lamb of God
Ashes of the Wake (Epic Records). Review by Daniel Mitchell.
Ashes of the Wake (Epic Records). Review by Daniel Mitchell.
Head Held High (Candlelight). Review by Daniel Mitchell.
death metal,grind core,thrash,Decapitated,The Negation,Earache,Daniel Mitchell
The Wretched Spawn (Metal Blade). Review by Daniel Mitchell.
metal,death metal,gore,Cannibal Corpse,The Wretched Spawn,Metal Blade Records,Daniel Mitchell
The Negation (Earache). Review by Daniel Mitchell.
Blood / Reign Forever World (Metal Blade). Review by Daniel Mitchell.
Blood / Reign Forever World (Metal Blade). Review by Daniel Mitchell.
Under a Stone with No Inscription (Wicked World / Earache). Review by Daniel Mitchell.
The Sin War (Metal Blade). Review by Daniel Mitchell.
Cain’s Way (World War III). Review by Daniel Mitchell.
Nihility (Earache). Review by Daniel L. Mitchell.
Humanracist (Blackened). Review by Daniel Mitchell.
Thelema.6 (Olympic/Avantgarde). Review by Nathan T. Birk.
Ugliness Revealed (Baphomet/Necropolis) and Holy Dead Trinity (WWIII). Review by Nathan T. Birk.
If a band takes its name from a Robert E. Howard tale, they’d better have some epic lyrical battlescapes to back it up. Symphonic metal masters Bal-Sagoth deliver on the promise of their name. David Lee Beowulf talks with swordsman – er, frontman Byron about Howard, weaponry, and metal!
To call Vader’s
Live In Japan (Pavement). Review by David Lee Beowülf
Black to the Blind (Pavement). Review by Jeremy Wernow
Black to the Blind (Pavement). Review by David Lee Beowülf
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.