This trilogy of music videos collections purports to gather together some of the more visually arresting work from music video directors Spike Jonze, Michel Gondry and Chris Cunningham. Joe Clay asks, “But is it art?”

The Summer of the Lion, The Summer of the Lamb (We Want Action). Review by Aaron Shaul.

Feed (Burnside). Review by Aaron Shaul.

Tacomatose (Initial Records). Review by Daniel Mitchell.

Wild Dogs With X-Ray Eyes (Initial). Review by Daniel Mitchell.

Before We Speak (Initial). Review by Daniel Mitchell.

Various Artists (Buddyhead / Nettwerk). Review by Daniel Mitchell.

The End of Imagining (Raga Drop). Review by Aaron Shaul.

The Love of Life (Tooth & Nail). Review by Daniel Mitchell.

Bottom of the Curve (54, 40’ or Fight!). Review by Daniel Mitchell.

There Will Be Blood Tonight (Fugitive). Review by Daniel Mitchell.

Land Air Sea (N.O.S. ). Review by Aaron Shaul.

Xmas Murder ‘74 (Urban Cheese). Review by Stein Haukland.

Metarie EP (Star Time). Review by Sean Slone.

The Sounds of Change (Take Hold/ Hopeless Records). Review by Daniel Mitchell.

Let Go of Your Bad Days (No Records). Review by Daniel Mitchell.

Spending Time on the Borderline (Kung Fu Records). Review by Daniel Mitchell.

Tomorrow Waits (Two Sheds). Review by Aaron Shaul.

Kingsize (Atom Smash). Review by Stein Haukland.

Damage (Self-Starter). Review by Daniel Mitchell.