Burd Early
Observatory EP (King Crab) and Magnet Mountain (Western). Review by Werner Lorre.
Observatory EP (King Crab) and Magnet Mountain (Western). Review by Werner Lorre.
The Paper Hearts (Clunk). Review by Stein Haukland.
In a chat with drummer Mark Ortmann, Sean Slone discovers why all the songs on The Bottle Rockets’ new album remain the Sahm.
Pacific Coast Rambler (Koch). Review by Eric J. Iannelli.
Things Change (Leaps). Review by Sean Slone.
Songs Of Sahm (Bloodshot). Review by Sean Slone.
Telegraph (Safe House). Review by James Mann.
Feeding The Gods (What Are). Review by Sean Slone.
Time (The Revelator) (Acony). Review by James Mann.
Pneumonia (Lost Highway). Review by James Mann.
Catch-All (Yep Roc). Review by Sean Slone.
Here’s Luck (Palm Pictures). Review by Sean Slone.
Satellite Rides (Elektra). Review by Sean Slone.
Marrying British psychedelia to American jangle pop and roots music may sound like an odd combination, but this band’s heartfelt dedication and songcraft makes it work. Terry Eagan makes a call on The Red Telephone, and singer/guitarist Matt Hutton answers.
Hurry to your local bookstore and ask for it. If they do not have it, single …
Summerteeth (Reprise). Review by James Mann
Event Review by Brent Dey
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.