Skin Collision Past. Review by Jeff Schweers.

Fission (hi-speedsoul). Review by Jeff Schweers.

My Neighbor/My Creator (Merge Records). Review by Jeff Schweers.

The Sound The Speed The Light (Matador Records). Review by Carl F Gauze.

Popular Songs (Matador Records). Review by Laura Pontillo.

Dark Was the Night (Red Hot Organization). Review by Tim Wardyn.

Modest Mouse are playing bigger and bigger gigs these days. Their recent sold out show at Orlando’s House of Blues is an example. S D Green questions their modesty in light of all this popularity and new personnel.

A boy called Girl Talk. A bio-engineering DJ. Rick Astley and Metallica? Gregg Gillis wholly embraces the philosophy of the “mash-up.” Reyan Ali wonders if what Girl Talk does is legal, good for the industry, or can even be considered music. So, he asked Gillis about it, point blank.

Log in Eye (Seksound). Review by Aaron Shaul.

I’m Not There: Original Soundtrack (Sony Records). Review by Matthew Moyer.

Matchless Years (Darla). Review by Aaron Shaul.

Chris Catania has a candid talk with Daniel Johnston , musician, artist, and most recently, the inspiration behind Infernal Bridegroom’s rock opera, Speeding Motorcycle.

Mavericks (Collector’s Choice Music). Review by Jeff Montgomery.

Golden Sun (Paper Trail). Review by Aaron Shaul.

At the Ballroom (Hidden Agenda). Review by Aaron Shaul.

The Lights Went Up (Scenery). Review by Aaron Shaul.

Half Smiles of the Decomposed (Matador). Review by Eric J. Iannelli.

Bodysong (Parlophone). Review by Aaron Shaul.

film score, soundtrack, Radiohead, experimental documentary,Jonny Greenwood,Bodysong,Parlophone,Aaron Shaul

All Things To You (Fictitious Records). Review by James Mann.