Get Hustle is knotted in the strangest of ways. It’s like you instructed a wh…

Flash Fictions :: Jump on the Band Wagon :: Friday, November 10th, 2000

Allow me to publicly thank Ink 19’s resident “data wrangler,” Andrew C…

Stripwax :: Limp Bizkit (Ink 19, November 2000)

For hip-hop artists, the you-got-chocolate-in-my-peanut-butter philosophy has…

A short but snappy five song EP from this trio. Mostly going through upbeat, …

Hmm, this CD by melodic hardcore East Bay quartet AFI starts with a very goth…

George Mamua Telek comes from the Papua New Guinean island of New Britain, an…

Strange recording here, mainly because the vocals seem way upfront, and thoug…

While the sound may lead you to believe this is the purest alt.country ever t…

On one of the songs on her solo debut, Kasey Chambers sings about living that…

This album is very well one of the most interesting I have listened to this y…

Electronic music comes in many forms, but the most popular and accessible sty…

Austin, Texas is home to this eclectic Americana outfit who brings together r…

Following Orgy’s surprise success in 1998 with a cover of New Order’s “Blue M…

VNV Nation, with Apoptygma Berzerk at the Saint Nightclub in Ft. Lauderdale, FL on September 7, 2000. Concert review by Jorge C. Galban.

Eleven tracks of retro lunacy, featuring sounds and sequences so analog, you’…

History happened and I missed it. This collects songs from a decade of madnes…

Call me a sadist, call me a masochist, call me the victim of a severe concuss…

Most kids consider piano lessons a pain in the neck, but drew West is thankful for the seven years he spent learning the keyboard, as they helped instill in him a love of music.