In the Halls of Waiting (Candlelight). Review by Daniel Mitchell.

InnerZone (Projekt). Review by Dave Aftandilian.

Ever wondered where MP3’s come from, or how to get your music online? Mitch Gallagher reveals all in Make Music Now! James Mann plugs in.

Where can musicians meet online to talk shop and “playa hate” Limp Bizkit? Brian Kruger recommends Harmony Central.

Chuck Bantam looks around fifteen years later and wonders exactly where did it all go wrong? Maybe when you were young and strong…. I apologize.

Guitar Town (MCA / Universal). Review by Hal Horowitz.

Archikulture Digest :: Number 26: Fringe Fest 2002 :: Tuesday, May 7th, 2002

Artificial Beasts (Stonegarden). Review by Daniel Mitchell.

A Call to Arms (RISC Group). Review by Terry Eagan.

Experience The Pleasure (Gailforce). Review by Daniel Mitchell.

Almost Happy (Sony / Red). Review by Eric J. Iannelli.

Heart To Yours (Music World / Columbia). Review by Bill Campbell.

Doug Kabourek was once part of the band that eventually became The Faint, but with Golden Sand and the Grandstand, he’s moved on to his own lo-fi indie pop gems as Fizzle Like a Flood. Stein Haukland gets the scoop on Kabourek’s music and that unusual name.

Hacked (Invisible). Review by Kiran Aditham.

This is the Remix (Columbia). Review by Christopher R. Weingarten.

Brand New Morning (Lakeshore). Review by Stein Haukland.

It’s love – Bollywood style – in director Mira Nair’s new film, Monsoon Wedding. Carl F. Gauze tries to catch the garter.

Barcodes (self-released). Review by Stein Haukland.

Folklore Of Averages (Moodswing). Review by Vanessa Bormann.

Vhunze Moto (Putumayo). Review by Bill Campbell.